704 Royalty-Free Audio Tracks for "Midi Music"

Midi file of BWV 610 from the Orgelbüchlein adapted with different instrumentation from lilypond file on Mutopia. "Jesu, meine Freude" (Jesus, my joy) is a hymn in German, written by Johann Franck in 1650, with a melody by Johann Crüger, first appearing in a hymnal by Crüger in 1653. The hymn is the base for Johann Sebastian Bach's funeral motet, BWV 227, and his chorale prelude, BWV 610.

Example of figured bass in context. Implied pitches written in small, stemless type above bass voice. Taken from Beschränkt, ihr Weisen, by J.S. Bach. (Riemenschneider no. 47/69.) Final chord added.

Loop from our last session (https://soundcloud. Com/tonux-gix/journey-to-dusk-yemptiness-2). Midi/osc lines generated with pure-data and then rendered it in muse-sequencer using deicsonze and zynaddsubfx synths.

Kiswahili: Njoo kwetu, Roho Mwema Gracious Spirit, heed our pleading Komm zu uns, Heilger Geist, Evang. Gesangbuch Bayern-Thüringen 565

MIDI synthesized rendering of a 14th-century Rondeau, "Doulz viaire gracieus" by Guillaume de Machaut. Produced with Lilypond, after an edition of the piece in Eggebrecht, Hans Heinrich Musik im Abendland, Munich: Piper, p. 237

Midi recorded at the keyboard and processed through music maker's virtual drum synth. One of ten electronic drum loops with a tribal beat and human sound.

MIDI of "Ut Queant Laxis", an 8th century hymn best known for being the basis for Ut-Re-Mi-Fa-Sol-La, later modified to the familiar Do-Re-Mi-Fa-Sol-La-Ti. Each line begins with a note that moves up the scale from Do to La (Ti not being used in music of that period).

Listen track with nice and warm sound. Track features piano. Space pad. Plugins omnisphere, kontakt (drums of war2), (factory library). Bpm 100. Ableton 9,12 midi channels. More projects here: https://evaluationrecords. Com/shop.

BACH motif followed by transposed version from Schumann's Sechs Fugen über den Namen B-A-C-H, Op. 60, No. 4, mm. 1-3.

Old Swedish folk melody, recently combined with the evening prayer Nu sjunker bullret by Lars Thunberg, in German Der Lärm verebbt by Jürgen Henkys. Der Lärm verebbt (GL (2013) 100)

More 120bpm beats and stuff i made from scratch in live using midi instruments and the non sample based softsynth phoscyon to build up sounds from waves, then run them through compressors, distorters, destroyers, eqs, and textures.

The melody of the folk song The Girl I Left Behind Me. Die Melodie des Volksliedes The Girl I Left Behind Me. La mélodie de la chanson populaire The Girl I Left Behind Me.

Charles Ives, 3-Page Sonata, first mvt., first fugal complex. The BACH motif from The Art of Fugue Contrapunctus XIXc is the "'1st Theme'/fugue subject" of Ives' combined sonata-allegro and fugal procedures.

Acoustic scale on C in just intonation. Harmonics 8 through 15, which are the source of the name. C D E F↑ G A B♭ C. Pitch bend matches intervals.

Common-tone modulation between C minor and its relative major Eb, using the common-tone G, in Schubert's Op. 163 (D. 956).

Eesti: Jumal on valgus ja pääste Du bist, Herr, mein Licht und meine Freiheit, Evang. Gesangbuch (Niedersachsen) 575

Ich bete an die Macht der Liebe, Text Gerhard Terstegen, Melodie Dmitri Bortnjanski (Evang. Gesangbuch Rheinland/ Westfalen/ Lippe 661)

Piano Roll recording of Scott Joplin playing "Maple Leaf Rag" in 1916. Midi conversion by PlayerRoll, and found at: http://www.pianola.co.nz. Re-recorded as audio by Major Bloodnok using Cubase. The original Piano Roll had been scanned and converted to a MIDI file by PlayerRoll, but the work remains in the public domain. This is one of a number of rare recordings by Joplin. It also demonstrates the deterioration of his health, specifically its impact on his piano playing. Original UniRecord, 1916. Maple Leaf Rag published 1899. Українська: Скотт Джоплін грає композицію реґтайму «Maple Leaf Rag» у 1916 році.

V of V in C, four-part harmony. Bruce Benward and Marilyn Nadine Saker (2003). Music: In Theory and Practice, Vol. I, seventh edition: p.269. ISBN 978-0-07-294262-0.

Cosmic glow track with nice and warm sound. Track features piano. Warm and sad pad. Plugins sylenth 1, massive, zebra 2. Bpm 70. Ableton 9, 7 midi channels. Project file here: https://evaluationrecords. Com/shop/ regards, andrew.

An'im Zmirot (Shir Hakavod), Jewish traditional melody An'im Zmirot (Shir Hakavod), überlieferte jüdische Melodie; im Gotteslob (2013), Diözesanteil Hamburg-Hildesheim-Osnabrück, mit dem Text "Herr, mache mich zum Werkzeug deines Friedens" (Nr. 868)

English: Chopin Prelude, Op. 20, No. 10 (1832) opening. Consecutive diminished seventh chords as whole tone scale harmony. Piston analyses viio as Vo9 with a missing root.

Parallel universe track with nice sound. It can be perfectly used in cinematic projects. Track features plucked. Space pad. Plugins omnisphere 2, serum. Bpm 109. Ableton 9. 12 midi channels. Project file here: https://evaluationrecords. Com/shop/ regards, andrew kn.

Composer: César Cui (1835-1918) Title: Gloria Patri and Wedding Recessional from the opera "The Saracen" Printed source: Piano-vocal score published in Moscow by P. Jurgenson, 1899. This is a rudimentary MIDI arrangement and Ogg recording therefrom made by Mllefifi, Nov. 29, 2005 The music itself is in the public domain. Mllefifi is making this audio file available to promote the composer and for whatever other use can be made of it, besides linking it to the article "The Saracen (opera)".

This is a recording of Scott Joplin's "The Entertainer" rag, which was composed in 1902. This performance was created by Adam Cuerden, a Wikipedian, and found at http://adamcuerden.deviantart.com/gallery/. The MP3 file was then converted to OGG by Major Bloodnok and subsequently uploaded to the Wikimedia Commons. The recording, plus other source files (such as Midi) can be found at the URL http://adamcuerden.deviantart.com/#/d48wa4r.

Chromatic modulation in Bach's Du grosser Schmerzensmann, BWV 300, m. 5-6 transitions from FM to dm through the inflection of C♮ to C♯ between the second and third chords. Note that there is no common chord.

A gregorian chant melody line with arpeggiated harmony played from digital keyboard into a music maker midi recording. I gave it a whirl with a vst synthesizer voice called men's cathedral, twirled lots of dials and this came out.

Das Gebet einer Jungfrau, Op. 4 (Tekla Bądarzewska (1834–1861), 3:05) "A Maiden's Prayer", Op. 4 (Tekla Bądarzewska-Baranowska (1834–1861), 3:05 minutes) « La prière d'une vierge », op. 4 (Tekla Bądarzewska (1834–1861), 3:05) Italiano: "La preghiera di una vergine", Op. 4 (Tekla Badarzewska (1834–1861), 3:05) Nederlands: "Het gebed voor een maagd", op. 4 (Tekla Bądarzewska-Baranowska (1834–1861), 3:05) "Modlitwa dziewicy", op. 4 (Tekla Bądarzewska-Baranowska (1834–1861), 3:05) Română: "Rugăciunea unei fecioare", Op. 4 (Tekla Badarzewska (1834–1861), 3:05)

Lofi melody leftover from one of the official sample packs i'm gearing up to release. Cc0, no attribution required. Check out these free midi jazz/lofi chord progressions on my patreonhttps://www. Patreon. Com/posts/lofi-jazz-chill-65320780?utm_medium=clipboard_copy&utm_source=copy_to_clipboard&utm_campaign=postshare. Download a ton of free sample packs from my website via google drivehttps://holizna. Com/.

Britten's twelve-tone 'Screw' theme [4]divides into equivalent tetrachords, each a segment of the circle of fifths: D-A-E-B, F#-C#-G#-D#, Bb-F-C-G. Created by Hyacinth (talk) 03:10, 7 January 2012 (UTC) using Sibelius 5.

Syncopation (sfz) in Beethoven's String Quartet in A Major, Op. 18, no. 5, III, variation I, m. 7-8. Created by Hyacinth (talk) 19:26, 12 March 2011 (UTC) using Sibelius 5. For comparison: File:Beethoven - String Quartet in A Major, m. 7-8 without syncopation.mid

J. S. Bach Sarabande of Partita for clavier nº 4 BWV 828 played on keyboard First published: 1728 as in https://imslp.org/wiki/Partita_in_D_major,_BWV_828_(Bach,_Johann_Sebastian) Other works on the same theme: https://www.8notes.com/scores/10177.asp?ftype=midi https://www.dailymotion.com/video/x2oulv3 Recorded by Millennium bug in February 2019

Drops, track with nice and warm sound. It can be perfectly used in cinematic projects. Warm and sad pad. Plugins sylenth 1, massive, zebra 2. Bpm 70. Ableton 9. 8 midi channels. You will have fun. Project file here: https://evaluationrecords. Com/shop/ regards andrew kn.

Modulation to the dominant in Haydn's Symphony in C Major, No. 97, Movement III Menuetto, measures 0-8 (piano reduction). Compiled from Murphy, Melcher, and Warch (1973). Music for Study, p.115. ISBN 0-13-607515-0; August Horn's piano reduction; and Howard Chandler Robbins Landon's full score edition. Roman numeral analysis added.

Auf, auf, mein Herz, mit Freuden, melody by Johann Crüger (1598 – 1662), basso and harmonization by Johann Sebastian Bach (1685 – 1750), Bach-Werke-Verzeichnis (BWV) 441, adapted to Crüger's original melody by Rabanus Flavus (Peter Gerloff) Auf, auf, mein Herz, mit Freuden, Melodie von Johann Crüger, Bass und Harmonisierung von Johann Sebastian Bach (BWV 441), angepasst an Crügers Originalmelodie (Evang. Gesangbuch 112) von Rabanus Flavus (Peter Gerloff)

Chromatic modulation in Bach's Du grosser Schmerzensmann, BWV 300, m. 5-6 transitions from FM to dm through the inflection of C to C between the second and third chords. Note that there is no common chord.

A single bar from "Fugue No.17 in A flat", BWV 862, displaying contrapuntal polyphony. The piece is part of J. S. Bach's Das wohltemperirte Clavier, Part I. See: File:BachFugueBar.png

Secondary dominant with barbershop seventh chords. V/V - V - I in F major (G7-C7-F). Derived from [1]. In just intonation. Sevenths are harmonic sevenths, and the F in the first measure is 27.26 cents lower than the F in the third measure. Pitch bend matches intervals.

Example of leading-tone triad (viio) and secondary leading-tone triad in Johann Sebastian Bach's Chorale: Gott der Vater wohn' uns bei (BWV 317). Identified by Forte (1979) ISBN 0-03-020756-8 as BWV 748, which is currently attributed to Johann Gottfried Walther.

Mystic chord on C as the 1, 11, 7, 5, 13, and 9th harmonics (harmonics 8 through 14, without 12). 1 = C = 0 cents = unison 11 = F↑ = 551.32 cents = eleventh harmonic 7 = B♭ = 968.83 cents = harmonic seventh 5 = E = 386.31 cents = just major third 13 = A♭ = 840.53 cents = thirteenth harmonic 9 = D = 203.91 cents = large just whole tone

Nun lob, mein Seel, den Herren, melody by Hans Kugelmann, harmonization by Johann Sebastian Bach (1685 – 1750), Bach-Werke-Verzeichnis (BWV) 17.7, adapted to Kugelmann's original melody by Rabanus Flavus (Peter Gerloff) Nun lob, mein Seel, den Herren, Melodie von Hans Kugelmann, Harmonisierung von Johann Sebastian Bach (BWV 17.7), angepasst an Kugelmanns Originalmelodie (Evang. Gesangbuch 289) von Rabanus Flavus (Peter Gerloff)

An example of how the subtonic serves as a secondary dominant to the mediant (in A minor: G is the dominant of C). From Bach's Chorale Ach wie flüchtig, ach wie nichtig, BWV 26. It is a reduction of the opening of the "Choral" or sixth movement.

Full diatonic fifteenth chord from Listz on B

Erika was a German marching song which is used by the German military. The author of the song was Herms Niel in 1930s. This song was published during Nazi Germany and ww2this recording include MIDI Erika, auch bekannt unter seinem Liedanfang Auf der Heide blüht ein kleines Blümelein, ist der Titel eines bekannten deutschen Marschliedes von Herms Niel, das in den 1930er-Jahren entstand. In dem Lied wird „die naturverbundene Liebe zur Heimat besungen“.

A little bird started singing on a fence next to my window and i started imitating him with my stones of skiddaw midi player, added in an accompaniment. Couldn't find a use for it but maybe you can, no credit required but i'd love to see what you can do!. This is my own youtube: https://www. Youtube. Com/channel/ucgreiexzkwry5cn9f7jjr0a?view_as=subscriber. Let's exchange youtube/soundcloud info or collab! :).

Drum loop 80 bpm from original drum kit i created for upcoming official sample pack release! cc0 no need to attribute. Have fun and be creative!. Check out these free midi jazz/lofi chord progressions on my patreonhttps://www. Patreon. Com/posts/lofi-jazz-chill-65320780?utm_medium=clipboard_copy&utm_source=copy_to_clipboard&utm_campaign=postshare. Download a ton of free sample packs from my website via google drivehttps://holizna. Com/.

Title: en:Roland MC-202 Creator: Sven Buresch for Wikipedia Description: simple song arrangement using en:Roland's en:MC-202 for the filter hookline, en:SH-101 for the bass and en:TR-808 for drums; no additional effects. Sequencing was done with en:Steinberg en:Cubase SX 2.2; MC-202 and SH-101 had been connected via Harms en:MIDI/CV-Interface, en:TR-808 (Kenton MIDI modified) via Steinberg Midex8. Copyright dispute? Re: MC202 audio exampes Hi. http://en.wikipedia.org/wiki/Image:Mc202example.ogg and http://en.wikipedia.org/wiki/Image:Discobotter.ogg both were written, performed and recorded by myself. I am the copyright owner and I chose to have it PD for Wikipedia as there were no listening examples. If you doubt we can make music at all check out our myspace: [1] - another tune with a 202 on it or go to [2] - loads of noise with 202,303,404's and so on ;)) Hope this helps. Cheers, Sven. --audioschotter.net 13:38, 31 May 2007 (UTC)

Left over piano/melody loops from my official sample packs on my website (which are also completely free). Cc0, you do not need to credit me, but credit is appreciated - mostly because i love to see what people use my work for!. Check out these free midi jazz/lofi chord progressions on my patreonhttps://www. Patreon. Com/posts/lofi-jazz-chill-65320780?utm_medium=clipboard_copy&utm_source=copy_to_clipboard&utm_campaign=postshare. Download a ton of free sample packs from my website via google drivehttps://holizna. Com/.

I composed a fairly long midi loop of chord progressions & let each section repeat twice. Then i layered a bunch of return tracks of the same line with arpegiated outputs played with straight, quarter note swing eight note swing, 16th note swing, & 32nd note swing all played together. The output was then compressed, heavily chorused through multiple fx devices, and stereo panned into the nonsense you hear. If you use this please comment a link, i don't need/want credit i'd just be super curious to see what you did with it!.

This is a simple sequence with chords - emaj, d#m and c#maj where i played on my midi keyboard "novation lanchkey mini" with using arturia vintage collection vst plugin - yamaha dx7, type - electronic organ and adding delay effect and reverberation. Sound like synth-wave or retro-wave stile, moderato, quietly and gently. Lounge. You can be using it for your needs, podcasts, samples, different projects, or just like alarm sound on your phone. Enjoy. Temp - 123 bpm.